8/14/2023 0 Comments Benchmark pt region 12 office![]() The sheet mentioned above was clamped to the opening of the tent and bunched up around the lens. The camera is about as low as it can get on my tripod. Not shown in this image is a flashgun on full power pointing at the upper half of the back of the light tent. ![]() So any kind of non-reflective coating is not an option.Īnd here's the setup I went for in the end: Is there an obvious setup with the equipment listed above to get the shot I want?ĮDIT - should probably mention that this is a museum artefact and cannot be altered, modified or have anything added to it. If I were up close to it, I could put my back against a white wall, the white sheet from the wall to the cup, a white background behind the cup and possibly something white over me and the camera (with lens poking through), but that setup is starting to sound a bit ridiculous. I understand that my reflection would be greatly diminished if I was further away using a longer lens, but the further away I am from the object, the more ground there is between me and it that will be reflected. ![]() (Yes, it's a little wonky, and the edges look rubbish, but at this point, I realised I couldn't get rid of the reflections without asking for some advice, so I gave up trying anything better for now) I don't have an entirely empty white room to do it in, and the concave cylindrical form of the trophy seems to emphasize any reflections present, including me, the light stands, the camera and any lights that aren't behind the object. Take a standard "Product Shot" of an old trophy/cup with writing on that doesn't look a complete mess thanks to reflections
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